This sequence is the opening trumpet call from Shakira and Wyclef Jean’s 2005 hit, Hips Don’t Lie. I have fond memories of this song’s release from my high school days. You may like this sequence because it will improve your…
Shakira Sequence 1
Mahler 1 Sequence 2
Mahler 1 Sequence 2 is the first theme from the joyous, dancing second movement of Mahler Symphony #1. You may like this sequence because it will help your articulation, major scales, and waltz feel. Happy Practicing! CLICK HERE to learn…
Mahler 1 Sequence 1
Mahler 1 Sequence 1 is based on a heroic minor lick in the 4th movement. You will like this sequence because it will help you improve your articulation, range, and minor scales. Happy Practicing! Download – Horn in F Download…
An American in Paris Sequence 2
An American in Paris Sequence 2 is based on the beautiful lyrical trumpet solo. You may like this sequence because it will help you explore the limits of your musicality using vibrato, rubato, and phrase shaping. Happy Practicing! Download –…
Rhapsody in Blue Sequence 1
Rhapsody in Blue Sequence 1, based on the major scale madness at rehearsal 36. You may like this sequence because it will improve your major scale mastery, tongue/slide/finger coordination, quick breathing, and sense of pulse. Happy Practicing!! Download – Horn…
An American in Paris Sequence 1
George Gershwin’s An American in Paris has tons of great licks, but this one is particularly great for working on your major scales. You may like this sequence because it will improve your clarity of articulation, octave leaps, tongue coordination, and…
At Sixty Miles an Hour Sequence 6
This sequence is from the 2nd movement of Robert Tindle‘s bass trombone concerto At Sixty Miles an Hour. You will love this sequence because it features a fiery melody that will improve your staccato and accented articulations. Enjoy my brain fart at…
At Sixty Miles an Hour Sequence 5
This sequence is from the 2nd movement of Robert Tindle‘s bass trombone concerto At Sixty Miles an Hour. This is a great way to work on feeling the pulse of mixed meter music. CLICK HERE to learn how you can support the…
At Sixty Miles an Hour Sequence 4
This sequence is from the 1st movement of Robert Tindle‘s bass trombone concerto At Sixty Miles an Hour. This is the climax of Mvt1, sing out triumphantly! CLICK HERE to learn how you can support the creation of #GetFluent Sequences by…
At Sixty Miles an Hour Sequence 3
This sequence is from the 1st movement of Robert Tindle‘s bass trombone concerto At Sixty Miles an Hour. The musical material serves as a transition from the lyrical first section to the more articulated, active, and brilliant second section. CLICK HERE…