This Bacchanale from Samson and Delilah was one of the first pieces by SS that I had the pleasure of playing. The piece has beautiful melodies that so expertly capture and outsiders view of the middle east, and an almost primal energy…
Copley Symphony Hall’s mighty Robert Morton theater organ takes center stage in two of the most famous orchestral works written for the “King of instruments.” Leading the concert will be Conductor Laureate Jahja Ling. Guest organist will be internationally-recognized San Diego native Chelsea Chen in her Jacobs Music Center debut.
The “Maestoso” theme of Camille Saint-Saëns’ Organ Symphony was used in the 1970s pop sing “If I Had Words” by Scott Fitzgerald and Yvonne Keeley, a world-wide million-seller. Perhaps most famously, this same song and theme were heavily featured in the hit 1990s films Babe and Babe: Pig in the City.
This theme has also been the climactic music of Impressions de France, a film that has screened continuously at the Disney Epcot’s France Pavilion since the park opened in 1982 in Florida.
I’m in San Diego this week playing one of my favorite pieces of all time: Camille Saint-Saëns‘ 3rd Symphony, known as the Organ Symphony. This piece has everything: Gorgeous melodies, stimulating harmonies, clever structures, and the most epic instrument ever created…..the ORGAN.…
Copley Symphony Hall’s mighty Robert Morton theater organ takes center stage in two of the most famous orchestral works written for the “King of instruments.” Leading the concert will be Conductor Laureate Jahja Ling. Guest organist will be internationally-recognized San Diego native Chelsea Chen in her Jacobs Music Center debut.
The “Maestoso” theme of Camille Saint-Saëns’ Organ Symphony was used in the 1970s pop sing “If I Had Words” by Scott Fitzgerald and Yvonne Keeley, a world-wide million-seller. Perhaps most famously, this same song and theme were heavily featured in the hit 1990s films Babe and Babe: Pig in the City.
This theme has also been the climactic music of Impressions de France, a film that has screened continuously at the Disney Epcot’s France Pavilion since the park opened in 1982 in Florida.
Copley Symphony Hall’s mighty Robert Morton theater organ takes center stage in two of the most famous orchestral works written for the “King of instruments.” Leading the concert will be Conductor Laureate Jahja Ling. Guest organist will be internationally-recognized San Diego native Chelsea Chen in her Jacobs Music Center debut.
The “Maestoso” theme of Camille Saint-Saëns’ Organ Symphony was used in the 1970s pop sing “If I Had Words” by Scott Fitzgerald and Yvonne Keeley, a world-wide million-seller. Perhaps most famously, this same song and theme were heavily featured in the hit 1990s films Babe and Babe: Pig in the City.
This theme has also been the climactic music of Impressions de France, a film that has screened continuously at the Disney Epcot’s France Pavilion since the park opened in 1982 in Florida.
JOHANNES BRAHMS is a cherished composer among local audiences, who will be charmed with his warm and lyrical Academic Festival Overture, Op. 80, a musical thank-you note to the University of Breslau, who bestowed an honorary doctorate upon him in 1880. The Monterey Symphony’s third concert also features Symphony No. 2 by Robert Schumann, a close friend to Brahms.
Renowned pianist Josu de Solaun will dazzle with his exhilarating performance of Piano Concerto No. 5 by Camille Saint-Saëns. Josu performed Mussorgky’s Pictures at an Exhibition as a solo piano recital previously for the Monterey Symphony, and the 2014 First Prize Enescu Piano Competition winner is back to astonish our audiences again. Do not miss this opportunity!
Join us one hour prior to every performance for our pre-concert lectures presented by musicologist Dr. Todd Samra
JOHANNES BRAHMS is a cherished composer among local audiences, who will be charmed with his warm and lyrical Academic Festival Overture, Op. 80, a musical thank-you note to the University of Breslau, who bestowed an honorary doctorate upon him in 1880. The Monterey Symphony’s third concert also features Symphony No. 2 by Robert Schumann, a close friend to Brahms.
Renowned pianist Josu de Solaun will dazzle with his exhilarating performance of Piano Concerto No. 5 by Camille Saint-Saëns. Josu performed Mussorgky’s Pictures at an Exhibition as a solo piano recital previously for the Monterey Symphony, and the 2014 First Prize Enescu Piano Competition winner is back to astonish our audiences again. Do not miss this opportunity!
Join us one hour prior to every performance for our pre-concert lectures presented by musicologist Dr. Todd Samra
Season Finale! Virtuoso cellist Matt Haimovitz makes his Des Moines Symphony debut in a program that stretches from Spain to France and all the way back to Iowa. Hear the music of Hindemith, composed to showcase the virtuosity of American orchestras, and Saint-Saëns’s beautiful First Cello Concerto. Iowa native Michael Daugherty’s American Gothic is accompanied by our world-premiere film celebrating Grant Wood’s Iowa. Finally, our season reaches its zenith with Ravel’s beloved, driving, hypnotic Bolero.
Season Finale! Virtuoso cellist Matt Haimovitz makes his Des Moines Symphony debut in a program that stretches from Spain to France and all the way back to Iowa. Hear the music of Hindemith, composed to showcase the virtuosity of American orchestras, and Saint-Saëns’s beautiful First Cello Concerto. Iowa native Michael Daugherty’s American Gothic is accompanied by our world-premiere film celebrating Grant Wood’s Iowa. Finally, our season reaches its zenith with Ravel’s beloved, driving, hypnotic Bolero.
Season Finale! Virtuoso cellist Matt Haimovitz makes his Des Moines Symphony debut in a program that stretches from Spain to France and all the way back to Iowa. Hear the music of Hindemith, composed to showcase the virtuosity of American orchestras, and Saint-Saëns’s beautiful First Cello Concerto. Iowa native Michael Daugherty’s American Gothic is accompanied by our world-premiere film celebrating Grant Wood’s Iowa. Finally, our season reaches its zenith with Ravel’s beloved, driving, hypnotic Bolero.