tchaikovsky

Monterey Symphony – Tchaikovsky and Shostakovich

Monterey Symphony – Tchaikovsky and Shostakovich

Piotr Ilyich Tchaikovsky – Symphony No. 3, Op. 29

Dmitri Shostakovich – Symphony No. 15, Op. 141

Oleg Caetani, guest conductor

Guest conductor Oleg Caetani hails from Italy and is making his debut with the Monterey Symphony. The son of famed conductor and composer, Igor Markevitch, Caetani completed his formal training at the Moscow Conservatory and graduated from the Saint Petersburg Conservatory. He won the RAI Competition and third prize at the Karajan Competition in Berlin.

Tchaikovsky’s 3rd Symphony, “Polish,” opens the program. This symphony is unique in that it is his only Symphony both in a major key, and containing five movements. The piece, sans first movement, was used by choreographer George Balanchine for Diamonds, the third and final part of his ballet Jewels. Various instruments are showcased in this iconic work, including a lovely flute solo in the third movement.

The second half of the program contains Shostakovich’s 15th Symphony, written in 1971 and premiered in Moscow, which is full of references to other composer’s works. Shostakovich tips his hat to Rossini and Glinka, as well as featuring the “Fate” motif from Richard Wagner’s Ring Cycle.

Monterey Symphony – Tchaikovsky and Shostakovich

Monterey Symphony – Tchaikovsky and Shostakovich

Piotr Ilyich Tchaikovsky – Symphony No. 3, Op. 29

Dmitri Shostakovich – Symphony No. 15, Op. 141

Oleg Caetani, guest conductor

Guest conductor Oleg Caetani hails from Italy and is making his debut with the Monterey Symphony. The son of famed conductor and composer, Igor Markevitch, Caetani completed his formal training at the Moscow Conservatory and graduated from the Saint Petersburg Conservatory. He won the RAI Competition and third prize at the Karajan Competition in Berlin.

Tchaikovsky’s 3rd Symphony, “Polish,” opens the program. This symphony is unique in that it is his only Symphony both in a major key, and containing five movements. The piece, sans first movement, was used by choreographer George Balanchine for Diamonds, the third and final part of his ballet Jewels. Various instruments are showcased in this iconic work, including a lovely flute solo in the third movement.

The second half of the program contains Shostakovich’s 15th Symphony, written in 1971 and premiered in Moscow, which is full of references to other composer’s works. Shostakovich tips his hat to Rossini and Glinka, as well as featuring the “Fate” motif from Richard Wagner’s Ring Cycle.

San Diego Symphony – Payare Conducts Beethoven & Tchaikovsky

San Diego Symphony – Payare Conducts Beethoven & Tchaikovsky

SCHUMANN: Overture to Manfred, Op. 115
BEETHOVEN: Piano Concerto No. 4 in G Major, Op. 58
TCHAIKOVSKY: Symphony No. 6 in B minor, Op. 74: Pathétique

Rafael Payare, conductor
Kirill Gerstein, piano

Passionate lyricism fills the air and melodies soar in some of the most heartfelt music ever written. Ludwig van Beethoven’s Fourth Piano Concerto is perhaps his most gentle and lyrical piece. Its premiere was also the composer’s final appearance as a concerto soloist — his encroaching deafness ensured that he would never again play with an orchestra. Piotr Tchaikovsky’s Pathétique Symphony shows the composer at his most vulnerable and emotional, with heartfelt pathos composed into every note.

San Diego Symphony – Payare Conducts Beethoven & Tchaikovsky

San Diego Symphony – Payare Conducts Beethoven & Tchaikovsky

SCHUMANN: Overture to Manfred, Op. 115
BEETHOVEN: Piano Concerto No. 4 in G Major, Op. 58
TCHAIKOVSKY: Symphony No. 6 in B minor, Op. 74: Pathétique

Rafael Payare, conductor
Kirill Gerstein, piano

Passionate lyricism fills the air and melodies soar in some of the most heartfelt music ever written. Ludwig van Beethoven’s Fourth Piano Concerto is perhaps his most gentle and lyrical piece. Its premiere was also the composer’s final appearance as a concerto soloist — his encroaching deafness ensured that he would never again play with an orchestra. Piotr Tchaikovsky’s Pathétique Symphony shows the composer at his most vulnerable and emotional, with heartfelt pathos composed into every note.